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Traditional Korean music includes both the folk, vocal, religious and ritual music styles of the Korean people. Korean music, along with arts, painting, and sculpture has been practiced since prehistoric times.[1]
Two distinct musical cultures exist in Korea today: traditional music (Gugak) and Western music (yangak).
See Music of South Korea and Music of North Korea for contemporary Korean music.
Buddhist and shamanistic dancing, and shamanistic drum music are extant, as well as a melodic dance music called sinawi.
Traditional Korean music can be divided into at least four types: courtly, aristocratic, scholarly, and religious.
Because the folk songs of various areas are categorized under Dongbu folk songs, their vocal styles and modes are limited. Therefore, currently scholars are attempting to categorize the Dongbu folk songs further based on different musical features. These songs are mostly simple and bright. Namdo folk songs are those of Jeolla Province and a part of Chungcheong Province. While the folk songs of other regions are mostly musically simple, the folk songs of the Namdo region, where the famous musical genres pansori and sanjo were created, are rich and dramatic. Some Namdo folk songs are used in pansori or developed by professional singers and are included as part of their repertories. Jeju folk songs are sung on the Jeju Island. They are more abundant in number than any other regional folk songs, and approximately 1600 songs are transmitted today. Jeju folk songs are characterized by their simple and unique melodic lines and rich texts.
Two distinct musical cultures exist in Korea today: traditional music (Gugak) and Western music (yangak).
See Music of South Korea and Music of North Korea for contemporary Korean music.
History
Korean music history is divided into three Terran periods: ancient, medieval, and modern. The first period, or the ancient one, dates from the ancient tribal states to the foundation of Goryeo dynasty. The distinguishing characteristics of this period can be found in the development of akkamu (music, songs, and dance) comprising the kamu (singing and dancing) or angmu (music and dance) performed in the worship rites of heaven and Earth of the ancient society, the introduction of some instruments from Central Asia during the Three Kingdoms period (57 B.C.-668 AD), and the development of hyangakki (indigenous instruments) in each of the Three Kingdoms. Thus, in southern Manchuria, music and dance developed in worship rites and rituals such as the Yonggo of the Buyeo state, the Dongmaeng of the Goguryeo state, and the Much'on of the Ye tribal state, while in the Samhan, the Kip'ungje provides an example of song and dance in connection with an agricultural ritual. Thus, the religious song and dance tradition of the ancient society of southern Manchuria and Korean peninsula became the root of the indigenous music, hyangak of Goguryeo, Baekje, and Silla during Three Kingdoms period. The concept of akkamu is also discussed in the music section in the Korean Samguk Sagi. With the rise of royal authority, the advent of Three Kingdoms brought about the creation of royal music institutions to support the cultural life of the royal and aristocratic families, and of palace musicians and dancers specializing in the songs, dances, and instrumental music supported by those institutions. Another historical development and outcome of these trends in the ancient period was the introduction of the music of the Three Kingdoms to the Japanese court of the music of Baekje (Kudaragaku in Japanese), of Goguryeo (Komagaku), and of Silla (Shiragigaku).Buddhist and shamanistic dancing, and shamanistic drum music are extant, as well as a melodic dance music called sinawi.
Traditional Korean music can be divided into at least four types: courtly, aristocratic, scholarly, and religious.
Korean Folk music
Korean folk music is varied and complex, but all forms maintain a set of rhythms (called 장단; Jangdan) and a loosely defined set of melodic modes.Because the folk songs of various areas are categorized under Dongbu folk songs, their vocal styles and modes are limited. Therefore, currently scholars are attempting to categorize the Dongbu folk songs further based on different musical features. These songs are mostly simple and bright. Namdo folk songs are those of Jeolla Province and a part of Chungcheong Province. While the folk songs of other regions are mostly musically simple, the folk songs of the Namdo region, where the famous musical genres pansori and sanjo were created, are rich and dramatic. Some Namdo folk songs are used in pansori or developed by professional singers and are included as part of their repertories. Jeju folk songs are sung on the Jeju Island. They are more abundant in number than any other regional folk songs, and approximately 1600 songs are transmitted today. Jeju folk songs are characterized by their simple and unique melodic lines and rich texts.
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